You can buy replicas of Richard Attenborough's amber-tipped cane or you can listen to ten minute loops of Jeff Goldblum's oddball laugh but there's something you haven't been able to do in twenty years: hear the roar of a T. rex fighting two Velociraptors from thunderous, surround sound of big cinema speakers. Something you've never been able to do is see it in 3D or in IMAX. Until now. And you don't want to miss it.
There are probably more works of fiction about the Weather Underground than there were ever members.
Okay, that's a hyperbolic statement, but when you get in the mindset of the radical left of the 1960s and 1970s you tend to get a little grand in your rhetoric. The Weather Underground, if you don't know, was the anti-Vietnam youth movement so sickened by the US's foreign policy that they felt they had to “bring the war home” with acts of domestic terrorism. In real life, they called ahead to warn of bombs in government buildings – and the only blood they shed was their own during an explosives accident in a Greenwich Village apartment – but for the movies, even one by a bonafide liberal like Robert Redford, it is easy to paint them as people who let their ideals take them too far.
I stand before you, humbled, and tasked with explaining, in comprehensible terms, just what the heck 'G.I. Joe: Retaliation' is all about. Attaining comprehensibility, however, is a chore the filmmakers didn't wrestle with, doubling-down on pure adrenaline and big movie star charisma. It's a risky move and sometimes it works. Sadly, this is not one of those cases.
While there are chuckles to be had (I mean, that Cobra Commander helmet is just too incredible to dismiss) there isn't enough whiz-bang in this film to fully deflect the utter lack of a story or absence of intriguing characters. It is, surprisingly, the lesser of the two 'G.I. Joe' films, with Stephen Sommers' 2009 'The Rise of Cobra' featuring much more team spirit, pep and fun.
Funny is, of course, subjective. I find Woody Allen funny but there are plenty of people who find him about as amusing as being slowly asphyxiated in plastic bags from CVS. Still, I'll hazard to guess that there is no one who will find Melissa McCarthy obnoxiously singing along to Kelis' not-at-all-current "Milkshake" funny. Especially when 'Identity Thief' - a new "comedy" with McCarthy and Jason Bateman - goes to quite successful lengths to make you HATE her character. And you just might wind up hating this movie too.
Nobody asked for this movie. But someone was going to make it. I'm just glad it was Matthew Johnson, a young (but not as young as he looks!) Canadian director/co-writer/co-star who has the chutzpah to take on a really difficult subject and the chops to deliver without coming off as crass or exploitative. There are plenty who will refuse to give 'The Dirties' the time of day, and that's somewhat understandable, but if you believe that, in order to correct a problem it must first be discussed, 'The Dirties' is, I feel, a noble mix of entertainment and social importance.
Who is May? She's a half-American, half-Palestinian Christian, born and raised in Amman, Jordan and living as an author in New York City. That's a lot of labels, so you can somewhat understand why she's having trouble figuring out what she wants in life.
I was worried 2012 would end and there wouldn't be a clear winner for the prize of Worst of the Year. 'Parental Guidance' was worth waiting for. It isn't just the worst film of 2012, it's the worst film of 2011 and probably 2013, too. 'Parental Guidance' is a cinematic hemorrhoid throbbing on the screen, its only purpose in life to cause pain and discomfort.
I imagine the pitch meeting went like this: "Producer: We got Barbra Streisand, we got Seth Rogen, we get 'em in a car. Release it around Christmas. I mean, you gotta take grandma somewhere during the Holidays. Executive: Are there life-lessons involved? Producer: Does the Pope crap in the woods? Of course there are."
Lo and behold, a year later, these two guys found themselves at the premiere for 'The Guilt Trip,' a movie that didn't cost too much to make and won't make that much of an impact but will empower everyone involved to one day strike again.
Ed. note: What are the Top 20 Movies of 2012? We asked our film critic Jordan Hoffman (who previously put together a list of the Best Movies of the first half of the year) to compile a list of the Best of 2012 of all the many movies he saw this year.
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