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Matt Singer

Matt Singer is the managing editor and film critic of the website ScreenCrush.com. For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. He’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire.
Star Wars Land 4
Disney
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Check Out the Massive Model of Disney’s Star Wars Land

According to Disney Parks’ executive Bob Chapek they are “the most ambitious lands that we have ever built at Walt Disney Imagineering.” They’re Star Wars Land, coming to both Disneyland and Walt Disney World in the near future. And this weekend at the D23 convention, Disney gave fans a look at the massive model for their creation.

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20th Century Fox
20th Century Fox
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Sigourney Weaver Says There’s a ‘Very Good Reason’ for Four ‘Avatar’ Sequels

I like Avatar. Quite a bit, actually. On occasion, I have been known to defend the film, at length, on this very website. I would drop everything to hang out at Disney’s Pandora theme park if I could. (Stupid job, stupid beloved child.) But even I struggle to justify four Avatar sequels, which is supposedly the number of new films in James Cameron’s epic sci-fi series that will be coming in the years ahead.

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lego yellow submarine
LEGO
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The 2016 ScreenCrush Holiday Gift Guide For the Discerning Pop Culture Fan

Whatever holiday you celebrate in December, it comes with a lot of pressure. If you get that special someone the wrong gift, watch out. Things can get pretty ugly. That’s particularly true for pop-culture fans. They know what they want, and they probably have most of it already. Perhaps you know someone like this. Perhaps you are someone like this. (Perhaps I am someone like this.)

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Lucasfilm
Lucasfilm
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‘Star Wars: The Force Awakens’ Review: The Saga Continues…

The original Star Wars was driven by nostalgia for pulp magazines, Saturday-morning serials, and a simpler era with clear-cut heroes and villains. The new Star Wars is driven by nostalgia for the original Star Wars, and a simpler era when that title evoked words like “adventure” and “excitement,” and not words like “the taxation of trade routes,” and “Jar Jar Binks.” The characters in Star Wars: The Force Awakens are all searching for something of great importance to the galaxy far, far away. I won’t reveal what this MacGuffin is, but I will tell you what it represents: that old Star Wars magic. Can director J.J. Abrams and the rest of the saga’s new creators find it?

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20th Century Fox
20th Century Fox
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‘X-Men: Apocalypse’ Trailer: The End Is Nigh for Marvel’s Mutants

I’m an old enough nerd to remember when the first X-Men movie came out in theaters. At that time, comic books were not the number one driver of all things in popular culture. Bryan Singer’s X-Men certainly featured all the comic’s beloved heroes and villains, but there did seem like there was a concerted effort to tamp down some of their comic-book-ness. Everyone dressed in black. There was no spandex. The story was grounded in weighty real-world themes like prejudice and vengeance. It was the X-Men you knew, but watered down just a bit. It was a rum and coke, not a shot of gin. X-Men: Apocalypse, in comparison, looks like a bottle of Beefeater.

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The Weinstein Co.
The Weinstein Co.
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‘Joy’ Review: Jennifer Lawrence Is Totally Miscast in This Business Biopic

Jennifer Lawrence was 24 when she shot Joy. Her character, Joy Mangano, was 34 when she invented the Miracle Mop and became one of the first stars of the QVC network. This fact remains inescapable throughout Joy. Lawrence remains watchable in Joy because, as one of our best young actors, she can’t help but be watchable. But she’s totally miscast as a divorced mother of two who’s been repeatedly beaten down by life’s disappointments. This part was meant for the Jennifer Lawrence of a 2025, not the one of 2015.

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The Revenant
20th Century Fox
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‘The Revenant’ Review: This Revenge Western Is Beautiful And… Uh… Well, It’s Beautiful Anyway

How good does a movie have to look to offset its other deficiencies? The Revenant is as beautiful a movie as has ever been made. The photography by master cinematographer Emmanuel Lubezki is inconceivably gorgeous; sweeping wide shots that juxtapose tiny, insignificant men against the overwhelming grandeur of nature, close-ups so intimate they seem like invasions of the actors’ privacy, and action sequences of shocking violence.

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Category: Lapeer News

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